A 1960s cut-paper opening-titles look: four flat opaque inks on textured paper, every shape with a scissor-cut edge, a thin cut gap and a small paper shadow; condensed type re-cut letter by letter and built into the set; silhouette figures in profile run, freeze and look back on twos; scenes change by hard cuts, diagonal splits and flipping blinds. Drawn entirely in code, in English or Chinese, landscape or portrait.
Use this styleWrite what you want to say as a few short credit lines: a place, a role, a title, a year or a date (the shorter the better: 1-3 words each). You can name the thing being chased (a key, a letter, a ticket, a product) and it is printed in the warm ink. Pick an ink set if you like: classic red and mustard, teal and orange, cobalt and yellow, olive. No photos needed.
A diagonal grid grows on a red ground and BLETCHLEY PARK slides in along a grid line and stops dead; a fedora silhouette clutching a brass key runs across the dark band and freezes mid-stride; the frame splits on the diagonal and THE CODE BREAKERS slaps down letter by letter, its O a spinning rotor, before 1939 – 1945 lands in red.
Spy Titles · 16:9 · 9.5s